^ Brian Righi. (2008). Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural through History. Llewellyn Publications. Llewellyn Publications. p. 52. ISBN 978-0-7387-1363-2 "One medium of the 1920s, Mina Crandon, became famous for producing ectoplasm during her sittings. At the height of the séance, she was even able to produce a tiny ectoplasmic hand from her navel, which waved about in the darkness. Her career ended when Harvard biologists were able to examine the tiny hand and found it to be nothing more than a carved piece of animal liver."

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Physical mediumship is defined as manipulation of energies and energy systems by spirits. This type of mediumship is claimed to involve perceptible manifestations, such as loud raps and noises, voices, materialized objects, apports, materialized spirit bodies, or body parts such as hands, legs and feet. The medium is used as a source of power for such spirit manifestations. By some accounts, this was achieved by using the energy or ectoplasm released by a medium, see spirit photography.[26][27] The last physical medium to be tested by a committee from Scientific American was Mina Crandon in 1924.
I was 13 when my mom dragged my brother and me to a "psychic." We were visiting family in Malaysia and somewhere amongst a few palm oil plantations was the house of an old woman who claimed to be able to channel Buddha. My mother was enthralled during the hour-long ordeal, during which the woman basically rolled her eyes often so the whites were showing, dropped her voice a few octaves, and made astonishingly mundane statements that could've applied to anyone (examples: our house had ants out front; my grandma was old and having some health problems). Combined with my love of Harry Houdini (who spent the last few years of his life debunking psychics and mediums) and teen angst that made me hate everything my parents liked, the experience left me convinced that psychics were con artists who separated vulnerable and desperate people from their cash in exchange for poor acting.

In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report.[109] In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."[110]
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