2. Let the psychic guide the session. You’re paying a professional psychic for their time; allow them to do their job and lead the discussion where it needs to go. A good psychic should do most of the talking and asking you to validate or confirm the impressions they receive. You will likely frustrate an authentic psychic with your emotional overload by going off on tangents or venting your life story. And you’ll be giving a fraudulent psychic way too much information that can be manipulated to their advantage. When in doubt, politely ask the psychic if you may elaborate to underscore a point.
A card reader is a data input device that reads data from a card-shaped storage medium. The first were punched card readers, which read the paper or cardboard punched cards that were used during the first several decades of the computer industry to store information and programs for computer systems. Modern card readers are electronic devices that can read plastic cards embedded with either a barcode, magnetic strip, computer chip or another storage medium.
"Mental mediumship" is communication of spirits with a medium by telepathy. The medium mentally "hears" (clairaudience), "sees" (clairvoyance), and/or feels (clairsentience) messages from spirits. Directly or with the help of a spirit guide, the medium passes the information on to the message's recipient(s). When a medium is doing a "reading" for a particular person, that person is known as the "sitter".
In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report. In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."