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6/At the end of the day, it’s all about you finding a psychic reader that you feel is right for you. I believe that all of my readers are exceptional, but they are all very different and sometimes it’s down to the type of psychic reading you want and sometimes just down to chemistry. Again, you should be able to have a chat with someone in reception without feeling under pressure to have a psychic reading.
Jean Pierre Allaire was counselling a 13-year old Trois Rivieres girl who reported seeing people that others could not. He told the girl she should go to the medium to find out whether she has a psychic gift. He also told her not to tell her psychiatrist about what she was seeing and hearing because that might lead to an increase in the anti-psychotic medications she was taking, which were making her sleepy.
It’s asking a lot for a psychic reader to blow someone away within the first five minutes of a psychic reading, but I knew it was possible, and I knew mine could do it. That means, within the first five minutes, they should say something that convinces you that they aren’t just guessing or keeping you stringing along – that they’ve linked in with you and your situation using genuine psychic skills and giving you detailed psychic information not boring generalities. Because of that we have gone from strength to strength and most of the people who have a psychic reading here everyday are people that are returning and have had a reading with us before.
In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report. In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."