Humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits and the afterlife.[3] Other cave paintings in Indonesia date back a further 10,000 years.[4] Mediumship gained popularity during the nineteenth century, when ouija boards were used by the upper classes as a source of entertainment. Investigations during this period revealed widespread fraud—with some practitioners employing techniques used by stage magicians—and the practice began to lose credibility.[5][6] Fraud is still rife in the medium/psychic industry, with cases of deception and trickery being discovered to this day.[7]
Back in the day so many people wanted psychic readings from me that I couldn’t keep up, so I created this space that offered telephone psychic readings and picked the psychics myself by testing all of them and now also getting regular customers to test them as well so they have about 4 tests before we unleash them onto you! That way, I could honestly tell people that, even though I couldn’t give them a reading myself, I could point them towards someone I genuinely thought was brilliant.
2. Let the psychic guide the session. You’re paying a professional psychic for their time; allow them to do their job and lead the discussion where it needs to go. A good psychic should do most of the talking and asking you to validate or confirm the impressions they receive. You will likely frustrate an authentic psychic with your emotional overload by going off on tangents or venting your life story. And you’ll be giving a fraudulent psychic way too much information that can be manipulated to their advantage. When in doubt, politely ask the psychic if you may elaborate to underscore a point.
Usually the reader can tell what tool would be best on a specific client in order to gain the most information. Some clients believe they should dictate that. Usually the reader knows based on their connection to the client. All tools have their limits. For this reason having more tools helps the reader develop wholeness. There are times when just the day itself can have its own energy. Perhaps the reader channeled a lot within the day and a different tool can be used to refresh the reader. There are some readers that can only channel during certain hours of the day.
Since I have done so MANY psychic readings (most online via the phone or online chat) I can at-least help you find a legit place to get one done. Wish I could do the reading for you to :)... But that's just not my thing. Really takes a special person to do it. Anyways, take a look below for a few places I really like. Good luck with your reading/readings....

to tune in. Think of it as surfing for radio stations using a dial. The prayer works hand in hand with the energy. The data in the Akashic Information will help us understand our past, immediate present, and future. By accessing the Akashic data, we establish and discharge something that we have now designed, that has grown to be a block to our existing realization of our oneness with God.


Jean Pierre Allaire was counselling a 13-year old Trois Rivieres girl who reported seeing people that others could not.  He told the girl she should go to the medium to find out whether she has a psychic gift.  He also told her not to tell her psychiatrist about what she was seeing and hearing because that might lead to an increase in the anti-psychotic medications she was taking, which were making her sleepy.  
In 1908 at a hotel in Naples, the psychical researchers W. W. Baggally, Hereward Carrington and Everard Feilding attended a series of séances with Eusapia Palladino. In a report they claimed that genuine supernatural activity had occurred in the séances, this report became known as the Feilding report.[109] In 1910, Feilding returned to Naples, but this time accompanied with the magician William S. Marriott. Unlike the 1908 sittings, Feilding and Marriott detected her cheating, just as she had done in America. Her deceptions were obvious. Palladino evaded control and was caught moving objects with her foot, shaking the curtain with her hands, moving the cabinet table with her elbow and touching the séance sitters. Milbourne Christopher wrote regarding the exposure "when one knows how a feat can be done and what to look for, only the most skillful performer can maintain the illusion in the face of such informed scrutiny."[110]
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