Direct voice communication is the claim that spirits speak independently of the medium, who facilitates the phenomenon rather than produces it. The role of the medium is to make the connection between the physical and spirit worlds. Trumpets are often utilised to amplify the signal, and directed voice mediums are sometimes known as "trumpet mediums". This form of mediumship also permits the medium to participate in the discourse during séances, since the medium's voice is not required by the spirit to communicate. Leslie Flint was one of the best known exponents of this form of mediumship.
Many of the agencies will insist the readers manage a call average of at least so many minutes per call, to them if you cannot keep the clients on the phone AT LEAST that long you are losing them money. They then organise their computer to only pass on calls to those who can keep people on the phone, so those with a poor call average will sit there for a lot longer before they maybe get a call.
^ LeCron, Leslie; Bordeaux, Jean (1970). Hypnotism Today. Wilshire Book Co. p. 278. ISBN 0-87980-081-X. When in a trance ... the medium seems to come under the control of another personality, purportedly the spirit of a departed soul, and a genuine medium undoubtedly believes the 'control' to be a spirit entity ... In the trance, the medium often enters a cataleptic state marked by extreme rigidity. The control then takes over, the voice may change completely ... and the supposed spirit answers the questions of the sitter, telling of things 'on the other plane' and gives messages from those who have 'passed over.'
In 1880 the American stage mentalist Washington Irving Bishop published a book revealing how mediums would use secret codes as the trick for their clairvoyant readings. The Seybert Commission was a group of faculty at the University of Pennsylvania who in 1884–1887 exposed fraudulent mediums such as Pierre L. O. A. Keeler and Henry Slade. The Fox sisters confessed to fraud in 1888. Margaret Fox revealed that she and her sister had produced the "spirit" rappings by cracking their toe joints.