Psychic Three's studio was nestled in a suburban strip mall and plastered with the classic psychic decor that makes graphic designers consider seppuku—deep purple signs with all-caps yellow text and neon crystal balls. I scampered up a bright red stairwell and into a purple room (same purple as the signs) where a smiling woman wearing a tank top and sweat pants was sitting at a small table. I sat down opposite her and took in the weird mix of art—a small tapestry of what I'm quite sure was Jesus and his disciples on the table, but also a fair share of Buddha statues, too.
Yes, it was! When I used to work [there], I felt the spirits which were from the old days of the begining of the 19th century. Also, at the end of my shifts, the girls that worked with me would always ask me to read their palms. Considering the amount of energy that is required for palm reading, the Clubhouse was the perfect place for me to do it. I felt that the spirits there would appreciate me, considering the fact that I could feel them. I also felt a good energy. The spirits made me feel that I could make good money when I worked there.
In 1910 at a séance in Grenoble, France the apport medium Charles Bailey produced two live birds in the séance room. Bailey was unaware that the dealer he had bought the birds from was present in the séance and he was exposed as a fraud.[111] The psychical researcher Eric Dingwall observed the medium Bert Reese in New York and claimed to have discovered his billet reading tricks.[112] The most detailed account at exposing his tricks (with diagrams) was by the magician Theodore Annemann.[113]

 Brenda was also led to energy work - the HEF (human energy field) and parallel work with animals. With extensive experience in this field, she enjoys teaching others to recognize imbalances and apply their personal healing gifts.  For those who are interested in awakening/heightening their own senses and abilities, Brenda facilitates group classes focused on experiential personal growth, healing techniques, clairvoyance and clairaudience.  She believes that, as children of God, we are to focus on our individual spiritual growth.

In 1918, Joseph Jastrow wrote about the tricks of Eusapia Palladino who was an expert at freeing her hands and feet from the control in the séance room.[118] In the séance room Palladino would move curtains from a distance by releasing a jet of air from a rubber bulb that she had in her hand.[119] According to the psychical researcher Harry Price "Her tricks were usually childish: long hairs attached to small objects in order to produce 'telekinetic movements'; the gradual substitution of one hand for two when being controlled by sitters; the production of 'phenomena' with a foot which had been surreptitiously removed from its shoe and so on."[120]
According to the magician John Booth the stage mentalist David Devant managed to fool a number of people into believing he had genuine psychic ability who did not realize that his feats were magic tricks. At St. George's Hall, London he performed a fake "clairvoyant" act where he would read a message sealed inside an envelope. The spiritualist Oliver Lodge who was present in the audience was duped by the trick and claimed that Devant had used psychic powers. In 1936 Devant in his book Secrets of My Magic revealed the trick method he had used.[159]
In 1880 the American stage mentalist Washington Irving Bishop published a book revealing how mediums would use secret codes as the trick for their clairvoyant readings.[84] The Seybert Commission was a group of faculty at the University of Pennsylvania who in 1884–1887 exposed fraudulent mediums such as Pierre L. O. A. Keeler and Henry Slade.[85] The Fox sisters confessed to fraud in 1888. Margaret Fox revealed that she and her sister had produced the "spirit" rappings by cracking their toe joints.[86]